時間和地點
2024年7月19日 下午8:00 – 下午10:00
東區, 300台湾新竹市東區興達街1號
關於本活動
<<< for english please scroll down >>>
▋時間 ▋
2024/07/19（五）
19:30入場 / 20:00開演
▋地點 ▋
江山藝改所（新竹市東區興達街1號）
▋表演者 ▋
Christian Bucher（瑞士）/ 鼓組
Simon Tan（菲律賓）/ 低音提琴
Rick Countryman（美國）/ 薩克斯風
客座表演者：
張登堯 / 二胡
▋入場贊助 ▋
$250-350自由定價
※ 請勿攜帶外食飲品
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▋關於表演者 ▋
● Christian Bucher（瑞士）
Bucher於伯恩大學學習音樂學、藝術史和文學（1990-1997），並於蘇黎世當代音樂學院學習音樂（爵士樂師從Kevin Austin、Tony Renold、Peter Preibisch，並取得文憑，1992-1997），隨後於琉森音樂學院進修自由即興研究所，師從Walter Fähndrich、Peter K. Frey和Christoph Baumann（2002-2003）。
他至今仍參與與其他藝術類型相關的計畫：作為鼓手和打擊樂手，他演出與繪畫、雕塑、攝影、錄像、裝置、行為、建築、文學、劇場和舞蹈合作的獨奏會。他擁有豐富的CD、電台和電視錄音，以及在澳洲、保加利亞、中國、德國、法國、希臘、印度、印尼、斯洛維尼亞、西班牙、南非、美國或土耳其的音樂節表演和音樂會巡演經歷。
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● Simon Tan（菲律賓）
13歲時於三葉音樂學校開始古典吉他課程，這激發了他後續接觸電吉他，並不可避免地對電貝斯產生了興趣。1988至1992年間，他於菲律賓大學音樂學院學習低音提琴，隨後開始了他的專業音樂生涯。
他作為多風格貝斯手的能力迅速引起了注意，尤其是在由菲律賓藍調歌手兼錄音藝術家Binky Lampano帶領的馬尼拉藍調樂隊先鋒Lampano Alley中。隨後，他擔任獲獎菲律賓爵士樂團WDOUJI的貝斯手和作曲家。Simon Tan的音樂影響範圍從搖滾到古典、藍調和爵士。
目前他是菲律賓音樂家協會（AMP）大樂隊—該國頂尖的爵士大樂隊—的首席貝斯手，並經常與國際流行巨星「Bamboo」一起巡演。他於2011年初開始與Rick Countryman合作，他們繼續在馬尼拉的爵士音樂場景活躍演出和錄音。
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● Rick Countryman（美國）
Rick在70年代末至80年代活躍於西雅圖的地下「大猩猩爵士」場景。2011年，他在馬尼拉的爵士音樂場景重新露面，帶領並參與多個樂團演出，擔任次中音薩克斯風、中音薩克斯風、中音長笛與低音長笛手，並與自己的爵士四重奏和三重奏演出原創作品。
Rick在二十歲出頭的時候，學習傳統的爵士即興演奏、間隔循環與概念以及薩克斯風的延伸技巧，最近還學習了長笛的延伸技巧。到了三十多歲時，對自己的音樂發展和財務狀況感到不滿意的Rick離開了音樂界，轉而從事「常規工作」，並逐漸將注意力轉向印度斯坦音樂（北印度古典音樂）。2000年代初期他移居東京，重新拾起他的爵士樂學習，最終開始參與演出。
目前他繼續在馬尼拉追求自我，並經常現身於當地的爵士音樂節和爵士/即興展演場地。2011年Rick於大馬尼拉地區開始與貝斯手Simon Tan合作原創爵士概念，並於2013年與瑞士的Christian Bucher合作，錄製了《Acceptance - Resistance》和《Signal Number Three》。
Rick擁有超過30張國際專輯發行，其中10多張是與Christian Bucher和 Simon Tan的二重奏或三重奏。他與日本傳奇鼓手豐住芳三郎合作發行了十多張CD，最近還與墨西哥藝術家Gabriel Lauber和Itzam Cano合作發行了專輯。
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● 張登堯
享受讓二胡發出各種好像快要壞掉的聲響，在舞台上容易進入類似起乩的狀態。江山藝改所主理人（所長）。
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▋time ▋
fri, jul 19, 2023
7:30pm door opens / 8:00pm show starts
▋venue ▋
jiang shan yi gai suo (aka jiangshan art cafe)
no. 1, xingda st., hsinchu city
▋performers ▋
Christian Bucher (CH) / drums
Simon Tan (PH) / bass
Rick Countryman (US) / sax
feat.
CHANG Deng-yao / erhu
▋donation for entry ▋
$250-350 self-pricing donation
※ no outside food or drink allowed.
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▋about the performers ▋
● Christian Bucher (CH)
Bucher studied musicology, art history and literature at the University of Bern (1990-1997), and he studied music at the Academy of Contemporary Music in Zurich (jazz music with Kevin Austin, Tony Renold, Peter Preibisch, diploma, 1992-1997). He then continued his post-graduate studies in free improvisation with Walter Fähndrich, Peter K. Frey and Christoph Baumann at the Lucerne Music College (2002-2003).
He is still involved in projects related to other art genres: as a drummer and percussionist he gave solo concerts in connection with painting, sculpture, photography, video, installation, performance, architecture, literature, theater and dance. He has extensive CDs, radio and TV recordings as well as festival performances and concert tours which take him to Australia, Bulgaria, China, Germany, France, Greece, India, Indonesia, Slovenia, Spain. South Africa, the USA or Turkey.
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● Simon Tan (PH)
Beginning classical guitar lessons at age 13 at the Yamaha School of Music stimulated his later exposure to electric guitar and, inevitably, his interest in the electric bass. He studied the contrabass at the University of the Philippines College of Music from 1988 until 1992, then embarked on a professional musical career.
His ability as a multi-genre bass player readily caught attention, notably in the pioneering Manila-based blues band, Lampano Alley, led by the Filipino blues singer and recording artist, Binky Lampano. This was followed by his tenure as bassist and composer with the award-winning Philippine jazz group, WDOUJI. Simon Tan's influences range from rock to classical, blues and jazz.
He currently holds down the bass chair for the Asosasyon ng Musikong Pilipino (AMP) Big Band, the country’s premier jazz big band ensemble, and frequently tours with international pop star “Bamboo.” He began collaborations with Rick Countryman in early 2011, and they continue to perform and record together actively in the Manila jazz scene.
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● Rick Countryman (US)
Rick was an active member of the underground “Gorilla Jazz”
scene in Seattle during the late 70s and 80s. Rick resurfaced in 2011 as part of the Manila jazz scene; leading and performing in ensembles on baritone sax, alto sax, alto flute and bass flute; performing original compositions in his own jazz quartets and trios.
While in his early 20s, Rick studied traditional jazz improvisation, intervallic cycles and concepts, and extended techniques for sax and recently studied extended techniques for flute. In his late 30s, dissatisfied with his musical development, and his financial situation, Rick left the scene to pursue “regular work” and slowly shifted his attention to Hindustani music. While residing in Tokyo in the early 2000s, he resumed his jazz studies, and eventually began to attend sessions and perform.
He currently continues his pursuit within the Manila scene, appearing regularly in local jazz festivals and jazz/improvisational venues. Rick began collaborations with bassist Simon Tan on original jazz concepts in Metro Manila in 2011, followed with collaborations with Switzerland’s Christian Bucher in 2013, resulting in recording “Acceptance - Resistance” and “Signal Number Three.”
Rick has over 30 international album releases, with 10 or more as duo or trio with Christian Bucher and Simon Tan. He has collaborated with Sabu Toyozumi on over a dozen CDs, as well as recent releases with Mexico based artists Gabriel Lauber and Itzam Cano.
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● CHANG Deng-yao
Enjoys making the erhu sound like it is about to break and easily enters a medium-like state on stage. The director/owner of Jiangshan Art Cafe.