時間和地點
2022年1月21日 下午8:00
新竹市, 300台湾新竹市東區興達街1號
關於本活動
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即興樂舞
▋時間 ▋ 2022/01/21（五）19:30入場 / 20:00開演
▋地點 ▋ 江山藝改所（新竹市東區興達街1號）
▋表演者 ▋ Olaf Hochherz（德國） / 電子 Reich LaLa / 鼓組 戴孜嬣 / 中提琴 林楷育 / 舞蹈 張登堯 / 二胡
▋入場贊助 ▋ $250-150 自由定價
※ 不論年齡只要有親子關係，即一位免費入場 ※ 請勿攜帶外食飲品
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▋關於表演者 ▋ ● Olaf Hochherz http://hochherz.klingt.org/ 以編程的合成器，模擬源自大自然裡各種物種聲音的樣貌/表現，演繹出仿真的動物聲響，這是藝術家在經由自行研發的介面，透過記憶印象中的、不同事物的、發聲物件中連結的聲音去控制聲響的成果，試圖呈現出讓電腦鳴唱，讓機器摹擬動物的表現方式。裝置所創造出的聲音為反饋的鳴叫聲及對周遭環境聲音記憶的結果，是得以經演奏過程中傳遞出演奏者情感的動物—聲音—傳輸工具。
-- ● Reich LaLa 打鼓這項行為對她而言，是一種接近本能的需求，生命的層次轉而進入創作者的視角，與鼓的互動顯示了意志的尺度，換句話說是與在打鼓中誕生的自己相遇。從聖死心（Saint Sloth Machine）的訓練中培養出相較於把鼓視為節奏樂器，更著重的是利用各種聲響產生不和諧的序列，來製造出使樂曲達到平衡的空間感。對聲音的感受性還在訓練中，對打鼓的行為本身期待的是自由。
-- ● 戴孜嬣 在創作裡力求尋找更多聲音的可能性，以敏銳感知出的實驗音樂即興、及以縝密結構的新音樂劇場作曲，彈性在兩種完全不同心裡狀態的創作模式中平衡自我，試圖透過創作探索萬物未知的奧秘及其生成的文化背景。更純粹的與空間、環境、人對話，喚醒聽者心中某些生命片刻。
近期參與【2021衛武營TIFA當代音樂平台】《在 . 不在》音樂家、臺中國家歌劇院《2021再壹波藝術節》 :〈 鏡像－即興者的無窮大〉。
-- ● 林楷育 台中人，從事當代舞蹈和物理學的中介/媒介作用的身體創作者和研究人員，並同時擁有科學/藝術雙重學習背景。
著迷於分解/轉換舞蹈與科學之間的範式方法論，反對科學與藝術之間的二元對立。
近期為臺中國家歌劇院2020「LAB X 青年創作工作室」青年藝術家（舞蹈）、2021年軟硬倍事「開箱：身體現場」計畫、「《大一統理論之夢》」個人創作計畫。
-- ● 張登堯 江山藝改所創辦人兼主理人之一。喜歡以非語言性的方式進行感性活動，製造聲響是其一。最常使用的媒介是二胡，最希望能透過它製造出聽起來不像二胡卻只有二胡能產生的聲音。
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Free Improv Music & Dance
▋Time ▋ FRI, JAN 21, 2022 7:30PM door opens / 8:00PM show starts
▋Venue ▋ Jiang Shan Yi Gai Suo (No. 1, Xingda St., Hsinchu City)
▋Performers ▋ Olaf Hochherz (DE) / electronics Reich LaLa / drum set TAI Zih-Ning / viola LIN Kai-Yu / dance CHANG Deng-Yao / erhu
▋Donation For Entry ▋ $250-150 Self-pricing donation
※ Audiences with parent-child relationship will get free entry for one person. ※ No outside food or drink allowed.
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▋About The Performers ▋ ● Olaf Hochherz http://hochherz.klingt.org/ Olaf Hochherz is a sound artist and researcher mostly performing with self build electronic instruments and computer programs. He performs improvised music and develops performance installations. His interest is in the conjunction of the instability, self-generation, and associative capacity of sounds. His goal is not to control a technical aperture but to create an associative field. For him sounds have their own life that has to be kept alive. He is interested in the effect of acoustic activity, the relation between the surrounding environment and instruments, between abstract sounds and associations, between electrical and other worlds.
-- ● LIN Kai-Yu LIN Kai-Yu is an artist and researcher working with the intersection between contemporary dance and physics with both educational certifications.
She has been researching on intersections between the notions of visualizing from atoms to the universe: the scale of the universe and how human perception fit in.
She is fascinated by dismantling/transforming the paradigmatic methodology between dance and science, and opposes the binary opposition between science and art. The mediation between nature and its mysteries between dance and science has been concerned by Kai-Yu.
-- ● Deng-Yao Chang Born 1984 and also based in Hsinchu, Taiwan. Deng-Yao Chang received his Master of Fine Arts degree from the Maryland Institute College of Art (MICA) in Baltimore, MD. He has been constantly working on artistic practice, curatorial practice and art promotion since returning to Taiwan in 2010. He founded the art+performance space "Jiang Shan Yi Gai Suo". He learned to play piano and erhu for many years when in young ages and participated in a well-known local Chinese orchestra. He enjoys listening to music comprehensively, from very classical or traditional to extremely avant-garde or exprimental. He has attempted to play erhu in an approach with free improvisation and noise in recent years.